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Las Vegas has been an important commercial hub for live and recorded music for most of the twentieth century. This book investigates venues of fantasy and mythmaking during this critical post-truth moment when broader mythos of America have become political and cultural lightning rods. Contributors to this volume consider collectively the values and perspectives of music making in, around, and through Las Vegas.
Las Vegas, then, serves as a foil for a much larger mythological value in America, that is, possibility. Presented as both place and idea, Las Vegas in this book centers and invigorates belief for many Americans. Whatever happens in Vegas, this book shows, never simply stays in Vegas.
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