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Each lost on Earth, calling the other, and body snatching to blend into the human race. Filmmaker Zach Clark cleverly utilizes aliens as observers to tackle the complexity of human behavior.
Each new beat gets weirder, and it is impossible to predict. Have you ever seen an alien sex scene? Myers also creates unique Alien vocalizations.
The editing is delightful. The performances from every cast member are spectacular. Although her appearance is brief, she shows her acting chop. Keith Kelly delivers two distinct versions of Governor Olatka. Clark allows him to showcase quite the emotional rollercoaster. Isabel Alamin gives Francesca a tentative fear. Plunk and Gordon embody the seemingly wacky premise and capture the sincerest longings within the slapstick comedy.
It was a startling come to Jesus moment. Clark leans into what appears absurd until you conclude that it is merely a fanciful mirror of our hopes, dreams, irrationality, and means of survival. The camp and over-the-top scenarios solidly place the film in a sci-fi comedy genre, but underneath all the shenanigans is authentic heart. Modernism, Inc. Director Jason Cohn utilizes photographs with minute elements of movement, newsreels, sit-downs with experts, and archival interviews of Noyes.