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It soon became my favourite book of the year, and since then, I've tried to get a hold of her other books as well. In a slight moment of insanity, I sent her a dm on Instagram, asking whether she'd be willing to take a look at a research article I was writing on raving and music. At the same time, I also felt I would be missing an opportunity if I didn't also ask her for an interview.
So, at the end of September, I talked to the Australian-born New York-based writer, professor of Culture and Media and director of the Gender Studies programme at the Eugene Lang College at The New School about music, religion, a little bit about Marxism, queer and trans literature, and how gender affects language and writing — all of which are my favourite topics.
I certainly came away from this conversation with new perspectives, and I hope you will too. We started with raving. McKenzie Wark : Not yesterday, no. I usually don't go out afterwards. The last time I went dancing was last weekend. On Sunday, it was a day thing. MW : Well, in the morning, actually.
From around four or five until nine or ten. Something like that. I skip the rush hour and wait until all the drunks have gone home. In one of your previous interviews, you mentioned that you're not religious yourself, but you have faith in things outside religion. Like books, your work, nirvana MW : I remember a passage from the book Bird Lives! But the rave scene in Brooklyn does have something cult-like to it. Raving is not just another way to spend time but a need. It evokes a sort of state of mind we feel is necessary for us.