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Photo by Lilly Riddle. Shortly after the war began, Kharchenko — a media worker by trade, having contributed to Russian TV stations, glossy magazines and PR companies — read the writing on the wall and left for Tallinn, Estonia. Kharchenko is one of the lucky ones.
It was launched in , with a hefty budget of 2. When I visited the station in March, I was ushered into the waiting room, where two chic hosts took their place on a futon while techs adjusted their mics. I was surprised to learn — given what Taklaja had told me — that their newscast consisted of conventional, almost milquetoast local stories: economics, grocery stores, tree-planting efforts. The plan seems to have worked.
The map displays the northeastern European nation as lime green — bordering crimson Russia, a dismal th. Still, journalists I spoke with emphasized the need to continue reaching the Russian-speaking minority. Getting Russian speakers to watch Estonian government-approved outlets — and resist Russian political and rhetorical influence — has also taken the form of widespread content bans against Kremlin-owned TV channels and news sites.
Shumakov typically has a team of two to three reporters in Ukraine, covering the war on the ground. Over the course of his year career in journalism, the past 12 months have been the most difficult. Late last year, to the dismay of press freedom advocates, the Latvian government drove out TV Rain, an independent Russian TV channel whose operations had moved to Riga following the invasion. Estonia, meanwhile, took the opposite route. Rather than banning Russian content at the first mention of the war effort, the Ministry of Culture which allocated the most recent media grants hopes to lure would-be Kremlinites in with high-quality journalism — carrots, not sticks.