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Of this edition, intended for private circulation only, and printed from type on Berkeley Antique laid paper, copies have been printed for America, and for Great Britain.
Also, 55 unnumbered copies, for the press. I dedicate the labour of translation, in all humility and sincerity, to K. But, after all, all these people are rubbish, and their life is not life, but some sort of conjured up, spectral, unnecessary delirium of world culture. But there are two singular realities—ancient as humanity itself: the prostitute and the moujik.
And about them we know nothing, save some tinsel, gingerbread, debauched depictions in literature Tinsel, gingerbread, debauched depictions Let us consider some of the ways in which this monstrous reality has been approached by various writers. There is one singular fact that must be noted in connection with the vast majority of such depictions. Punk or bona roba, lorette or drab—put her before an artist in letters, and, lo and behold ye!
Not a slut, but what is a hetaera; and not a hetaera, but what is well-nigh Kypris herself! Furthermore, it will be observed that such depictions, for the most part, are primarily portraits of prostitutes, and not pictures of prostitution. It is also a singular fact that war, another scourge has met with similar treatment. We have the pretty, spotless grenadiers and cuirassiers of Meissonier in plenty; Vereshchagin is still alone in the grim starkness of his wind-swept, snow-covered battle-fields, with black crows wheeling over the crumpled masses of gray And, curiously enough, it is another great Russian, Kuprin, who is supreme—if not unique—as a painter of the universal scourge of prostitution, per se; and not as an incidental background for portraits.
