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To browse Academia. Five Finnish Medieval finger rings of the vernicle type, depicting the face of Christ, and two later rings with a male face are discussed. Dates and find contexts are reviewed. The position of the vernicle in Late Medieval piety, in the cultu of Corpus Christi and especially in the devotional life of Medieval women is important to contextualise the common interpretation of the vernicle rings as magic charms. TN Pollio. What are the origins of the styles and symbols which defined base metal and silver alloy finger rings in Europe in the Medieval Period?
Like so many details regarding medieval society, the evolution and diffusion of jewelry amongst the lower classes is difficult to contextualize for a number of reasons. Illiteracy was endemic in the pre-modern world; thus written records from the echelons who actually wore these rings are nonexistent. The thoughts, feelings, religious beliefs and interpersonal exchanges which influenced their choice of adornment must be determined solely from the scant remains at burial sites associated with these populations.
But this type of evidence is rare and, when found, is often ambiguous and difficult to interpret. For example, the discovery of an early medieval finger ring with the image of a four-armed cross is an unreliable indicator of this individual's religious beliefs, as cruciform symbols are widely utilized in pagan practices prior to the advent of Christianity.
The interpretation of much symbology in the post-classical and early medieval centuries is especially problematic for a number of reasons; including the fragmentation of late Iron Age society, the shifting demographics on the continent, and the gradual assimilation of Christianity into the culture and mindsets of inured to the centuries of pagan beliefs under the Pax Romana.
