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Gone are the gratuitous, lingering body shots of female characters undoubtedly dictated by producer Roger Corman, known for mandating nudity in his schlocky B-movies , replaced by not only a female empowerment message, but also a voyeuristic, objectifying gaze of the boys.
In this capacity, Slumber Party Massacre is a great template on how to update a film in a fun, self-aware fashion. Cue the usual tropes involving car trouble, an unexpected change of accommodations and two potential harbingers at the gas stop in Dave Richard Wright-Firth , the mechanic, and store owner Kay Jennifer Steyn. At this point it feels as though Slumber Party Massacre is a paint by numbers slasher film. The latter is used primarily for comedy.
Not only are the male characters far more aligned with slasher archetypes than the girls, they are the ones who are objectified in the film. These very knowing, calculated wink-wink scenes help to set Slumber Party Massacre apart from other entries in the subgenre and inform the whole production from narrative, to character, to technical elements.
Throw in some occasional cheap-looking FX work blame the made-for-Syfy budget and there are some negatives. Overall, however, the experience is extremely positive. Slumber Party Massacre features likeable characters, decent kills and, most importantly, knows exactly what it is and actually has fun with the formula. It sounds facetious to suggest that Slumber Party Massacre is better than it should be, but this a surprisingly fun and clever entry in the new slasher canon.