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Do you know the story of Myrrha and Cinyras? Myrrha, he tells us, was the princess of Cyprus, the daughter of King Cinyras, whom she dearly loved—but not as a daughter should. Tormented by forbidden lust, she tried to hang herself, but was discovered in time by her nurse.
Disguised by the dark, Myrrha spent many blissful nights with her father, until Cinyras at last thought to fetch a light to see the face of his young lover.
On learning the truth, he seized his sword, to kill her. She fled and wandered the earth until the gods put an end to her misery by turning her into a tree. That is how we got myrrh. Two thousand years later, this tale is as strange and harrowing as ever. Why is Orpheus singing of such things? He has just lost Eurydice by turning back and taking a forbidden look at her as she followed him up from Hades.
Maybe, having ruined his life by succumbing to his own desire, he is taking bitter comfort in the fact that someone else has done the same. Cinyras is their grandson. That is a happy tale, ending with an impossible wish fulfilled. But it, too, contains the bitter seed of female duplicity. Pygmalion observed how these women lived lives of sordid indecency, and, dismayed by the numerous defects of character Nature had given the feminine spirit, stayed as a bachelor, having no female companion.