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In this excerpt from her Fireside Chat on RBMA Radio, Dijon discusses her entrance on the club scene, early days DJing in New York City and navigating trans and queer politics in dance music while staying true to her own musical vision. My parents were very young when they had me.
They were still in their early 20s and so they were partying, basically. They were music lovers, so there was always music in my house. Every time we went to the grocery store the radio was on. Every time we came home and put the groceries away, the radio was on. Whenever my parents would buy music, they would take me to the record store with them.
They loved the Whispers, Shalamar — Minnie Riperton used to be a neighbor of theirs before they got married. It was just something that was a part of my DNA. A lot of the music was conscious music, and it was about love and life and the struggle of people. I grew up with a lot of messages in music: about human connection, about the human experience, about love, loss of love, aspiration. I was really lucky to have parents that exposed me to such awesome music.
I was best friends with her younger brother and she exposed me to a lot, because I was still really, really young. That was an education, just from her going to the Warehouse and coming back talking about Candido and Salsoul and First Choice. I think I was able to get a fake ID at 12 or 13 years old and I started going to clubs. My mother cringes when I tell this story. One day I took the bus downtown to Importes and met him.