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Koons went to Maryland Institute College of Art in Baltimore and through a student mobility program studied at the School of the Art Institute of Chicago under Ed Paschke, whose technicolor renderings of superheroes and other pop icons were an early source of inspiration. His first major works invoked commodity fetishism: titled The New, they comprised vacuum cleaners displayed on or in Plexiglas boxes over grids of fluorescent light. In , Koons began the Equilibrium series, suspending basketballs in aquarium tanks filled with water.
Working with Nobel Prize-winning physicist Richard Feynman, he devised a precise mixture of water and salt that would make the balls float in the middle of the tanks, as if suspended. Over time, these sculptures grew in scale, from the modestly-sized Rabbit to the monumental Balloon Dog — In the mids, Koons cast for the first time sculptures in stainless steel, including the Jim Beam — J.
For the Banality series, Koons changed his materials. He collaborated with workshops in Germany and Italy to produce larger-than-life-sized sculptures in porcelain and wood inspired by banal and dislocated images that we are surrounded by in our lives.
Several of these sculptures, polychromed in bright colors, represented American pop icons such as Buster Keaton and Michael Jackson, cradling his chimpanzee Bubbles. Rendered to scale, they are simultaneously exuberant and unsettling.