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Duchamp sent his painting Nude Descending a Staircase No. But why was the painting so shocking? He positioned the figure — its upright stance reiterated by the vertical orientation of the canvas — in a descending diagonal from upper left to lower right. A tangle of shattered geometric shapes suggest the stairs in the lower left corner of the composition while rows of receding stairs at the upper left and right frame the strangely multiplying female form as she descends.
But what a descent! The figure recalls the whirling of a robot promenading down a set of stairs as if in some sort of futurist movie, or perhaps a magic lantern show — a popular form of image projection in the years before the development of cinema. His figure registers as female because of the convention, at least in recent years, that expects most nudes in art to be women.
Moreover, the style was an extreme distortion of even the most contemporary kind of realism at the time. It was, perhaps, for these reasons that the painting challenged audiences, such as the uncomprehending critic who described Nude Descending a Staircase No. Like much European modernism think Cubism or Futurism , the painting abandoned any resemblance to nature.
Its relatively monochromatic palette of warm browns and ocher subtly tinged with a grayish blue-green is typical of early Cubist paintings by Pablo Picasso and Georges Braque who had wanted to minimize the optical effects of color and emphasize, instead, a revolutionary new conception of space.
