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Possession has its moments, but it's hard to tell just what it wants to be--all-out spoof or subtle dark comedy--mainly because the acting is so wooden that the characters are almost indistinguishable from the sets, the transition scenes barely a step above those in most X-rated fare.
Either way, it's doubtful that anyone really wants another X-Files-tinged parody at this point. And no one needs one. It's experimental, lacking both a traditional narrative and a protagonist. It just aches Art--with a pretentious, preening capital A.
And it flirts with tedium every second of its 59 minutes. Festival judges just love to be bored by big ideas, as long as they're presented in a fresh, new way. And the idea behind Letters is novel--at least for a documentary. This film is about words, specifically the words found in five years' worth of written correspondences between two poets: American Lyn Hejinian, living in California, and Ukrainian Arkadii Dragomoshchenko, living in what was then the Soviet Union.
In each section of the film, the poets ruminate on a subject "grandmother," "poverty," "home," "violence" , their words voiced over by Lili Taylor and Victor Nord while odds and ends of footage play like a stranger's long lost home movie. The images are never personalized or explained. The film exists as a visual subtext to the narration. And although the idea of a cinema of words may be interesting to contemplate, in practice it's more like watching slides of what your aunt did on her summer vacation while listening to National Public Radio.
