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Women directors especially display a great range of talent here, tackling everything from comedies to tight thrillers. Echoes of the supernatural emerge in unexpected places. Artists condemn a cutthroat mentality that rejects those who have outlived their usefulness. And two very different movies offer challenges to young men in cold climates. Corporate power games, family rivalry, and the lasting sting of a long-ago betrayal crank up the tension in a stylish production supported by a top-notch cast.
And bitter family secrets strain her loyalty. Right Here, Right Now is elevated by polished dialogue that manages to sound piercing, real, and slyly funny. The film takes its time establishing the complex relationships, which pays off in spades as a canny plot structure inexorably reveals a dark surprise connected to all that has gone before. Unpredictable forces pulse beneath the surface of this elegant, ironic psychological thriller, which, like its characters, drops its game face only at the exact right moments.
Titian-haired, tempestuous beauty Axelle Jenna Thiam is a photographer, footloose and looking for romance. Daydreams aims for social relevance by mourning the commercialization of the villa and its spinning off of loyal retainers who have served there for generations. Borderline-silly scenes of empresses and nuns returning from the dead attempt to inject sinister elements into the plotline.
Other shots bore closer in as Teddy shivers in the night or wrestles with a hand auger to drill a hole in thick ice. One comic, scary sequence has Teddy cowering in the nude from a bear.