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To browse Academia. Page 28 of the Codex Borgia depicts Tlaloc accompanied by goddesses and maize plants. Tlaloc wears the costume, accoutrements, and facial paint of deities associated with fertility and with maize. Each goddess wears the headdress and face paint of deities associated with fertility and maize but is otherwise naked; each is in the position of a receiver in front of open vessels with open hands, open arms, with the engorged breasts and the creased abdomen of a maternal figure.
I argue, based on a thorough iconographical analysis of the imagery and supported by additional archaeological, ethnographic, and botanical evidence, that the imagery on page 28 represents the biological reproduction of the maize plant, a plant that has male and female parts and reproduces sexually. Jan Szymanski. Bryan Just. This paper proposes an interpretation of the flowers and other plant motifs present in some late medieval images of four Marian themes: the Virgin Enthroned with Child, the Virgin of Humility, the Sacra Conversazione and the Coronation of the Virgin.
By commenting some significant passages of the Old Testament, all of them praise the Mother of the Savior in terms of flowers and plants as metaphors for her holiness and virtue. Thus, on the basis of a solid patristic and theological tradition, this paper attempts to interpret these botanic elements as symbolic figures of purity, humility, charity, sublimity of virtue and absolute holiness of Mary and, as the essential core, her perpetual virginity and virginal divine motherhood.
Key Words: Medieval art, iconography, Mariology, Patrology, late medieval painting. Ercan Yeni. Sara Peterson. Harper Dine. Often omitted from studies of the document are the more than botanical and scroll decorations that can be found in small spaces between sections of text or after chapter titles throughout the three volumes.
