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Within his practice, he uses movement to chart generative locations for Haitians. In his choreography Tribulations , Saintus exhibits contested knowledges about masculinity and sexuality. All three men wear brown shorts only. Seated on his buttocks, a hand behind his head and one covering his mouth, Vilsaint extends and retracts his legs as he exits. His legs are apart, but his face is toward stage left, arms spread up.
Another person clings to him: two arms and hands clutch his back. The invisible person nestles against Renaudin. Finally Johnnoiry St. They exit. Two more enter. One man carries another on his back. She scowls, retreats and scurries away from them in the opposite direction.
The men draw closer to one another. Germain returns once again. Philippe steadies her by the ankle fig. She inspects her environs, hovers, before diving onto St. But she lets go, and then arches back suddenly.
He nearly misses her reaching hand. Two men who mirror one another in a split on the floor seem to be glued, while waiting for Germain to finish her solo dance. This section concludes with four men upstage in a straight line. They size up Germain, who writhes on the ground.