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He was born in Rome, Italy to American expatriate artists. McGarrell received a B. He then attained an M. McGarrell is a full-time resident of Jacmel and during the summer months he retreats to his studio in Vermont. The FOSAJ space also serves as his living quarters, a place for his assistant, Zaka, and somewhere to hang his hammock. McGarrell tells me that Jacmel is a place where the senses awake—it is visually rich and energetic.
The view outside the window is the bright Haitian sunlight, the ocean, coconut palms, almond and mango trees. The breeze brings him smells such as burning trash, cigarette smoke, marijuana from the beach and, in the evenings, the bar next door blasts Kompa music. All works are made with secondhand, found, intrinsically colored plastic, organic material and plants.
My interview with the artist is below and it is an absolute pleasure introducing you to this gutsy artist and friend. Does each space accommodate different studio needs or do you feel like an artist at work in one place more than the other? Specifically, I attack whatever I am working on with an obsessive compulsion that we creative types are often afflicted with.
The objects of my ministrations include sculpture, art direction for film, performative identity adjustments, installation, kleptomaniac collecting schemes, so I must be poised to work wherever I am at all times. That being said, the place I feel most enabled to create my sculptural work is my Vermont studio. It has lots of stuff, junk and tools I have collected over the years, and is always ready and waiting for me to use, exactly as I left it.
