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To browse Academia. Samuel Saunders. This project explores the use of female characters depicted in Victorian detective fiction. The project contributes to knowledge by examining an understudied aspect of a well-researched genre, and female characters outside of the role of detective in detective-fiction, historically a male-orientated genre.
The project argues that female characters are victimised by their respective narratives and authors across the Victorian era, and how this victimisation is represented sympathetically in the early Victorian age, with authors such as Catherine Crowe, Edgar Allan Poe and Charles Felix depicting female characters as oppressed by masculine forces. This victimisation becomes more pronounced during the mid-Victorian era, where female characters are depicted as a threat to dominant male power-centres of Victorian society, and are subsequently crushed in the literature.
Finally, the project argues how increasing interest in visual culture and the rise of interest in the form of detective fiction itself, coupled with the steadily evolving position of women in Victorian society led to this consistent victimisation of women to be abandoned in favour of representing female characters as occupying assertive, independent and multifarious roles within detective narratives.
Percy Walton. Abstract: Crime fiction is one of the most popular forms of fiction in the world today. From its early beginnings in the nineteenth century till the late s, the genre was generally regarded as consisting of male writers and their male detectives. Most authoritative histories of the genre ignored women writers and their women detectives. The feminist project of recovering lost works of women writers, ushered in by the Second Wave of Feminism, brought to light the contribution of women writers in the genre of detective fiction.
