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To browse Academia. Eva Thun. Odette Arhip. Beata Hock. The article engages Hungarian film production between and from a twofold perspective. The survey concludes that beside some pieces by engaged women filmmakers, a good proportion of complex portrayals of women came from male directors.
The article proposes that the political economy of cultural production in state-socialist Hungary allowed for a kind of transformation of signifying practices that is appreciable from a feminist perspective. Maria-Alina Asavei , Jiri Kocian. This paper addresses a lacuna in the history and memory of post- communist women's labour.
It aims to investigate how and to what ends the artistic production from Romania and the former Czechoslovakia illuminate " forgotten " histories of women's labour, reclaiming at the same time a public sphere where " Her-stories " and labour-related memories can be materialized for critical-political ends.
More often than not, both in the Romanian and the former Czechoslovakian context, the histories and memories of women's labour are deemed " unworthy " of remembrance and tend to be obscured from the official cultures of remembrance and their institutions.