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Bharatanatyam of Tamil Nadu in southern India has grown out of the art of dancers dedicated to temples, and was earlier known as Sadir or Dasi Attam. It is the first of India's traditional dances to be refashioned as a theatre art and to be exhibited widely both at home and abroad. Bharatanatyam rests on principles of performance and an aesthetics set down in classics such as Bharata's Natyashastra. It has a rich repertoire of songs in Telugu, Tamil and Sanskrit.
Bharatanatyam has a highly evolved language of Nritta, abstract dance, and Nritya which unfolds the narrative. The themes have a wide range spanning human and divine love, and are generally classed under the rubric of shringara romantic love and Bhakti devotion. The music of Bharatanatyam belongs to the Carnatic system of southern India. The musicians accompanying a dance recital include at least one vocalist, a Mridangam drum -player, and a flutist or violinist or Veena lute -player.
The group also includes a Nattuvanar, or dance conductor, who recites the dance syllables as he plays a pair of small bronze cymbals. Manipuri dance, evolved in Manipur in north-eastern India, is anchored in the Vaishnava faith of the Meiteis, or people of the Manipur valley.
The temples of Manipur are still among the principal staging venues of the dance. Therefore the predominant theme of Manipuri dance is devotion, and the rich lore of Radha and Krishna lends it episodic content.