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This series of Close Readings emerged from a deficiency I observed both in contemporary art criticism and in my own writing practice: Although exhibition criticism, interviews, and monographic artist texts are produced regularly, focusing on a single work, interpreting, and analyzing that one work is a form we encounter less often. In the Close Readings Series, I focus on the works from the Borusan Contemporary Art Collection, one at a time, and aim to produce texts on the works that I am curious about and want to further elaborate on.
My expectation from these texts is that they are new and experimental, bring a fresh perspective to the work rather than to adorn it, and take both me and the reader to places we have never been to before. Images capture us somewhere. Or we write on images that capture us. The video work consists of a naked woman swinging on a swing, the images are prepared in 3D animation format.
On a swing hung in the sky, we see a woman swinging at different speeds, which could be deemed slow. We understand in the following seconds that the seasons, and years are passing through the color and format transformations of the trees included in the video.
The video is accompanied by the music of Kurt Hentschlager. Fragonard's Swing is important to me not only because it is an image I know well, but also because it is a picture I have been thinking about since the first time I saw this work.
