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Subscribe for our newsletter to have the latest stories and curated art recommendations delivered straight to your inbox. Though the battle is still on between the supremacy of word and image, the power of a visual representation and its psycho-social immediacy when compared to the written text is undeniable.
Prior to Raja Ravi Varma, these characters were part of complicated hagiographies and mythological genealogies with their biographies both historical and mythical restricted to a few learned elites. The opening of the Ravi Varma Fine Art Lithographic Press in further democratised the patronage, consumption and reception of these images leaving a tremendous impact on religion, society and aesthetics.
One such unforgettable work is Madalasa Rutudhwaja, a scene depicting a marriage proposal made by the king of Kashi Rutudhwaja to Madalasa. Markendeya Purana describes Madalasa as the most ideal and learned woman. Theirs was a unique love story full of drama, and the scene depicted in the Raja Ravi Varma paintings and subsequent print is much like a theatrical tableau.
As the story goes, a demon by the name of Patalaketu was infatuated with Madalasa and at the same time, he was also tormenting rishi Galava, a sage of highest merit. One day, the demon abducted Madalasa in the hopes of ultimately winning her over.