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Lucinda Devlin American, b. Frames of reference: spaces that humans construct mainly interiors that serve specific functions — for example, spaces of pleasure, corporate arenas, sanctioned death chambers, subterranean spaces, human habitats for captured animals, fields of industrial agriculture.
Format: The square format perfectly supports the themes being investigated, balancing and tensioning the pictorial plane within each image. Colour palette: The limited colour palette of each image heightens the atmosphere and focuses the senses of the viewer. Lighting: As in a movie set or theatrical production, whether ambient light, spot light, interior light.
Staging: Nothing is out of place. The spaces are full of human presence even as we acknowledge their physical absence. Their fossilised fingerprints are all over these fantastical creations — these disturbing, sometimes grim, fairy tales. They hold a particular signature, more theatrical than ever New Topographics, Sander or the Bechers.
More photographs from each series can be found on the Lucinda Devlin website. Please click on the photographs for a larger version of the image. One of the motifs had already attracted attention in when it was featured in a controversial advertising campaign for an Italian fashion label.