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Preferred Citation: Rodgers, Susan, editor. Berkeley: University of California Press, c Personal narratives have deep public resonance in twentieth-century Indonesia, where the process of growing to adulthood and traversing a life is often recalled in terms similar to those used to think about society and the past in a more general sense. In the cosmopolitan, city-based national culture and in many Indonesian ethnic minority societies the country has over three hundred of these, based in rural, village regions , telling a life unavoidably also involves telling history in terms of passages through ages of time and transitions between levels of consciousness and social awareness.
Indonesian narrators of both public and private histories tend to draw on the same lode of symbols about eras, times of darkness and light, maturation, and growth toward greater intellectual awareness from an earlier age of social obtuseness and ignorance. In other words, Indonesian historical memory and personal memory are both animated by certain closely related key scenarios and social images, and societal histories and personal narratives interpenetrate.
They also draw on each other's storehouses of aesthetic richness and emerge as deeper, more meaningful social texts because of that. Put another way, art animates the telling of history at both the public and personal levels in unusually thoroughgoing ways in this uncommonly time-conscious country. This interpenetration of autobiographical memory and public history seems to be particularly acute for Indonesians who were born during the first two and three decades of this century. These men and women often attended Dutch-administered elementary and secondary schools in the s or s—a bittersweet experience that gave them their first personal taste of life in the European-dominated, colonial Indies.
As young. If they enjoyed a long life, they then went on to suffer or savor other major eras of Indonesian time: the Sukarno years of prideful nationalism and political chaos, and since , the more stable, Jakarta-focused, fervid economic developmentalism of the Soeharto regime.
