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To browse Academia. Raja Jaafar sent a group of local men to Melaka to learn European music, receiving instruction in a range of instruments including military drums, flute, trumpet and violin. Upon completion of their studies they returned to Riau, forming a military band at the palace of their patron, Viceroy Raja Jaafar on the island of Penyengat. Although ostensibly under the employ of the Sultan of Lingga, in reality the band played an important part in the power struggle between Sultan Mahmud and his Viceroy who, with the help of Dutch influence, gradually sought to become de facto ruler of the kingdom.
While most Europeans are instantly familiar with the political power denoted by a fully-uniformed military band, the Sultanate had its own musical ensembles to confer power, known as Nobat. In this context, the introduction of an even louder ensemble, and one that was a recognised symbol of Dutch power, had the ability to profoundly impact the balance of power in the area. Sean Williams.
Andrew Weintraub. Raja Iskandar Bin Raja Halid. Unlike any other traditional Malay music, nobat has a tradition that prohibits anyone other than the ruler and members of his family, and the court musicians from playing or even touching the instruments. In the courts of Perak, Kedah and Selangor, these royal musicians are called orang kalur and hereditary in nature. This paper attempts to unravel the mystery surrounding the orang kalur, their origins, status and roles; and how their strict adherence to traditional beliefs and taboos affects the music of the nobat.
Sadiah Boonstra. The aim of this article is to illuminate the cultural ideas, aesthetic practices, and social meanings of " Melayu" in urban popular music of Indonesia during the period to The object of this analysis is orkes Melayu " Malay orchestra" , a genre of Malay-language songs accompanied by an ensemble of mostly Western instruments.
