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Aged 10, I remember telling my mother about my crush: his blue eyes, blonde hair, cute freckles. Quite a few men turned out to be heart-throbs, according to my mother.
James Dean but not John Wayne. Robert Redford but not Paul Newman. Sean Connery but never under any circumstances Roger Moore. A heart-throb, it transpired, was a man of swoonsome specificity, an elite cabal whose members had one crucial thing in common. Or at least it was. But thanks to a new tranche of stars, the Hollywood heart-throb feels more well-defined than it has in a long time, its definition as honed and chiseled as the biceps and cheekbones of its protagonists.
Take Jacob Elordi. Ever obliging, director Emerald Fennell indulged viewers with a full complement of heart-throb scenarios, from black tie to bathtub to wheat field. You fancy winsome men on bikes? Here he is on one. White vest tops and angel wings? Reclining moodily in a wicker chair in skimpy trunks? A decade ago, pretty, baby-faced men like these would tend to be passed over in the acting world in favour of more traditionally masculine looks.
Just as fashion trends wax and wane, so too do our proclivities for various types of beauty. While the s were dominated by delicately featured heart-throbs like Marlon Brando and Montgomery Clift both of whose sexuality was widely debated , the s was all about the traditional macho man, a symphony of muscles and exposed chest hair.