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To browse Academia. Skip to main content. Log In Sign Up. This study examines the exhibition and many of the photographs therein to answer questions surrounding art about AIDS and the struggle for the power of definition. Artistic explorations of the AIDS epidemic were politically and morally charged and were used as a technology of power in the fight for the visibility of AIDS in American society.
The analysis of the exhibition and six interviews with New York artists and curators give us new insight into the artistic, social, and political meanings of art about AIDS in the late s. Whether pasted into an album, framed or shared on social media, the family photograph simultaneously offers a private and public insight into the identity and past of its subject. Long considered a model for understanding individual Long considered a model for understanding individual identity, the idea of the family has increasingly formed the basis for exploring collective pasts and cultural memory.
Combining academic and creative, practice-based approaches, this collection of essays introduces a dialogue between scholars and artists working at the intersections between family, memory and visual media. Joanne Leal. Walter Hopps Iconic Curator. Walter Hopps entered the art world during one of the most historic sociopolitical periods in America: President Truman, without the approval of Congress, committed American troops to battle; the Vietnam War was prolonged; Senator Joseph Walter Hopps entered the art world during one of the most historic sociopolitical periods in America: President Truman, without the approval of Congress, committed American troops to battle; the Vietnam War was prolonged; Senator Joseph McCarthy began his communist witch hunt; the abstract expressionist movement was in full swing; President Truman ordered the construction of hydrogen bomb; Truman signed a Peace Treaty with Japan, which officially ended WWII; Joseph Stalin died; the Iron curtain went up; segregation was ruled illegal in the U.
This paper is about Hopps, the artist-curator, whose contributions indispensably elevated the appreciation of modern art in America.