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What does Jesus have to do with Israeli art? The final work in this exhibition is Standing on a Watermelon in the Dead Sea by contemporary Israeli artist Sigalit Landau, in which Landau extends her hands to her sides, crucifix-like, and assumes the iconographic pose of the Virgin Mary standing atop the moon.
In between these two revealing artworks, Behold the Man: Jesus in Israeli Art unfolds the ways in which a figure that was once reviled by Jews became a source of inspiration for Jewish creativity in the 19th century and for Israeli artists during the 20th and 21st centuries. Jesus may appear overtly in their work, but often he is evoked indirectly or is present on a deeper, less conscious level. Though references to Jesus sometimes served as a bridge between two divergent religions, in most cases, Israeli artists used his figure to address a range of other issues.
For centuries, the Church condemned Judaism for its failure to acknowledge Jesus as Savior of the world and held the Jews responsible for his crucifixion. The Jews, for their part, saw Jesus as the father of the anti-Semitic Christianity in whose name they were persecuted and killed; his name and image remained a despised taboo. In the 19th century, however, a number of influential Jewish thinkers, writers, and eventually artists began to draw attention to the Jewish origins of the historical Jesus.
This approach aimed at reconciliation and at enhancing the position of Judaism in the Christian world — but at the same time it underscored the injustice of anti-Semitism. Reclaiming Jesus as a Jew also meant holding him up as model of the suffering his fellow-Jews had endured for generations.