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My process begins along the outer edges of the photo, where I look for any elements that will prevent the viewer's eye from wandering off the page. These elements may include some part of the photo's content or even a darkened area, which will function as a visual brake to a roving eye.
If I don't have the visual elements I need, I rely on how it feels. An excellent exercise for testing your results is to stand in front of your photo, close your eyes, then reopen them and study their movement.
Where do they travel and where do they come to rest? If you wind up at the heart of the image, your intended subject, you've probably done something right! Contact Yehoshua Halevi by email at smile goldenlightimages. Intelligence official "breaks silence" on Israel situation" 31 December Northeast Intelligence Network director Doug Hagmann interviewed a highly-placed U.