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To browse Academia. Nora LEFA. Immersion by itself is a triumph of the experience the sublime offers over a detached viewpoint of the object-artwork; it mobilizes the entire human body seeking to offer a full experience, which is essential for the artwork to move us; it can fill us, though, with awe and make us weak-willed beings that accept without criticism the value system and the ideological choices inherent in the artwork.
Virtual worlds are increasingly seductive, and people immersing in them end up perceiving reality through the lenses of virtual reality; and wanting to create a reality resembling virtual reality. The current paper attempts to investigate how it is possible to achieve a kind of immersion that allows for a full experience not marginalizing thought. It will provide an in-depth analysis of the nature of immersion, and of the means used to achieve it. In Negative. The contemporary psychic mechanism for interpreting the world opposes two essential domains - that of The Real and that of Illusion.
From this domain emerges similar oppositions of positive and negative, the legitimate and the illegitimate, the subject and the object. The hypothesis of the present text is to suggest that this measuring of the world in terms of rational oppositions is untenable, particularly given the threat, in this age of transparency, of its absolute fulfillment. Human interaction and meaning necessarily requires Evil and this excess of sociality and socialization which emerges from the language of hyper-reality becomes increasingly insufferable.
From this state there re emerges a new moral conception - that of symbolic exchange. VR becomes first the road of escape from rationality and immerses us in a new system of symbolic exchange which reconstitutes Evil in relational terms. That is, Evil provides a context for a 'scene'. VR begins as a hopeless response to the contemporary world of over-socialization, self-consciousness and impossible exchange and in this, deploys a new system interpreting human interaction in the world itself.
