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To browse Academia. Vincent Stephens. The presentation suggests that the non-threatening sexual image Mathis presented in the s was an overt commercial strategy intended to appease white audiences and adhere to an imperative for public respectability, an enduring theme within African-American cultural politics. Despite these seeming compromises close critical attention to his musical choices, visual imagery, and press clippings reveals a complex performance of sexual elusiveness that is as available to a queer gaze as the racialized heterosexual gaze implicit to pop music.
Fred E Maus. Survey of musicological writing on music, gender, and sexuality, written for a book on the cultural study of music. Published Francesca Royster. Lloyd Whitesell , Jacob Sagrans. This bibliography indexes music scholarship that features material on gender diversity, queer identity, culture, knowledge, or practice, or that approaches its topic from a queer, transgender, or anti-oppressive perspective.
It does not index reviews or the popular queer press. Because it follows different guidelines for inclusion, it does not duplicate all listings in archived newsletters. I did a substantial expansion of the bibliography in the summer of bringing it from 31 to 43 pages. It has been updated by other individuals two times since then in and This is the most recent version of the bibliography.
Marion Wasserbauer , Alexander Dhoest. The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders Belgium.