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Oil on canvas, Artemisia Gentileschi was born in Rome and died in Naples, by which time she was arguably considered one of the most significant Italian Baroque painters. At the age of seventeen, Gentileschi was sexually assaulted which some scholars suggest explains the dramatic nature and subject matter of her art.
Scholar of European art Judith Mann, however, does not agree and asserts that the reason for this theory is sexist since it implies that a woman could not be as successful as a male painter without tragedy as motivation. Although Gentileschi painted in a comparable style to the Italian Renaissance artist Caravaggio at the beginning of her career, Mann asserts that this does not mean their objective is similar.
Artemisia Gentileschi, Judith Slaying Holofernes , The prominence of artworks depicting the biblical figure Judith, among other icons like Mary Magdalene and the Virgin Mary , within the home strengthened the link between the public and political space, as well as the private domestic space.
This allowed women to have a role model who transgressed the limitations of being confined to domesticity. If women had control of their private lives and found inspiration in the strength and iconography of Judith as a transgressor of a private versus public divide, women would gain a stronger sense of identity. Elisabetta Sirani, The Finding of Moses , Sirani lived a short yet powerful life, having established the first academy for female artists in Bologna.
