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In an example of anasyrma , it depicts a partially draped woman, raising her light peplos to uncover her hips and buttocks, and looking back and down over her shoulder, perhaps to evaluate them. The subject is conventionally identified as Venus Aphrodite , though it may equally be a portrait of a mortal woman. The marble statue extant today dates to the late 1st century BC.
The head was restored, first in the 16th century and again in the 18th century in which case the sculptor followed the earlier restoration fairly closely ; the restored head was made to look over the shoulder, drawing further attention to the statue's bare buttocks, thereby contributing to its popularity. This lost original is thought to have been created around BC, near the inception of the Hellenistic period. It was rediscovered, missing its head, in Rome by at least the 16th century.
It is sometimes said to have been found in the ruins of Emperor Nero 's Domus Aurea , though this is unlikely, as fragments uncovered there contained no evidence of high-quality works of art such as the Venus. The missing head was reconstructed in the 16th century.
The restorer decided to have the figure look over her shoulder at her own buttocks, a choice that gave the Venus its distinctive pose and had a significant effect on later interpretations of the work. In , the Farnese estate was inherited by Charles of Bourbon , who moved some of the marbles, including the Venus, across the Tiber River to the Villa Farnesina. First, however, it was sent to be restored by Carlo Albacini. Responding to contemporary criticisms of some of the statue's features, Albacini replaced the head, the arms, and one leg; he followed the previous restoration fairly faithfully in having the figure look back over her shoulder.
