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The exhibition presented a group of sixty-six works by the artist, coming from public and private collections and including eleven paintings, all boasting an extensive and documented literature. Of great importance is Cariatide rosa con bordo blu , a watercolour initially owned by Mariska Diederich, later entered the Sydney G. Biddle Collection, Philadelphia, and since exhibited in the most important monographic shows. At the end, the iconic Ritratto di Hanka Zborowska, di profilo , which was exhibited for the first time in winter at De Hauke and Co.
The stay in Venice since offered him new food for thought and the opportunity to meet Boccioni, Martini and Gino Rossi. The move to Paris in winter was fundamental for the maturation of a language that would prove to be completely unique. The French capital was then in full swing, giving new spurs, offering opportunities for comparison not only with painters and sculptors from all over Europe, but also with Italians attracted by the many opportunities offered by a lively cultural climate.
The catalogue published for the occasion was edited by Osvaldo Patani, author of numerous publications on Modigliani and of the exhibition held at Rotonda della Besana, Milan in At the request of Assessorato alla Cultura della Provincia di Torino, and with the intervention of Soprintendenza ai Beni Ambientali e Architettonici del Piemonte, after the period at Galleria dello Scudo the exhibition was moved to Turin, Palazzo Reale, from March 2 to April 14, A second edition of the catalogue, unchanged, was published on this occasion.