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We may earn commission on some of the items you choose to buy. Locked in an eternal embrace, destined to waft for all eternity through the air of Hell together just as, in life, they were carried away by waves of passion , the lovers pause for Dante while Francesca relates how she and Paolo came to consummate their illicit passion.
The moment is captured above in an 18th-century painting by Jean-Auguste-Dominique Ingres. And good, above all, for the novel, a genre that is unthinkable without matrimonial disaster. Straying husbands and wives have, of course, been great subjects since long before the printing press was invented. Adultery would continue to haunt the Greek imagination in the Odyssey , whose hero finds time to hook up with an array of goddesses on his way home to his wife who, for her part, is beset by hormonal suitors , and in the heroines of the tragic stage, such as Medea, who, when her husband decides to leave her for a younger woman, contrives a vengeance that makes boiled bunny look like an appealing option.
In part, this has to do with subject matter—with the way adultery and its associations fidelity, betrayal, trust, unity, domesticity became useful metaphors for larger issues.
And, in part, the ideal match between adultery and fiction had to do with form—that is, the tantalizing way in which both narrative and passion unfold. With the rise of industrialization at the end of the s and the triumph of bourgeois status hunting and morality throughout the s, marriage and property became more important than ever before—and, for that reason, became the source of anxieties that could be teased out exhaustively at the length and with the detail that the novel permits.