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You were not always a personality psychologist. What drew you to personality psychology? After I had gotten my Ph. IPAR was beginning its classic studies of the creative personality. I was hired to help Richard Crutchfield study perceptual techniques for appraising creativity, but I fell in love with the idea of creative personality.
It was all around me -- the staff at IPAR, the writers whose books we were reading in preparation for assessing them, my husband and his friends. To my surprise and delight, he asked me if I would like to direct the study IPAR had proposed to do on creativity in women. I had a lot to learn but it was my big career opportunity, and after that day I was a personality psychologist.
That book was my introduction to feminism, and it shook me though I could not get my students interested in it at that time. Being a feminist was a little lonely then, because this was the s and the women's movement hadn't arrived yet. In the late s and s I taught courses in the psychology of women in Berkeley, first in the basement of a local church, a course sponsored by the Extension Division.
Later I taught big courses at Cal. It was a lot of work because there were no textbooks, but it was very rewarding too. I experienced the women's movement at UC Berkeley. The faculty women and the women researchers would meet together and tell each other their histories and frustrations in their departments.
