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I am not a Romanist and therefore should not have undertaken to review a book focusing on Roman statuary. This review may therefore usefully cite some recent pertinent works that H. The above-mentioned problems with photographs are occasionally reflected in a wrong cross-reference or a caption not in full agreement with the text, but this elegant book has otherwise remarkably few typographical errors. The latter lists sculptures in stone and bronze, both in the round and in relief; the main text, however, includes also the evidence of coins and gems which, in some cases, provide the earliest examples of certain renderings.
Because the book is intended not only for students of the ancient world but also for a general audience pp. The seven basic chapters are followed by 13 Appendices A-M which, besides the Catalogue, cover peripheral aspects of the topic. The extensive bibliography is supplemented by occasional references in the footnotes. Further help is provided by an Index Locorum for the ancient authors; a Museum index for the portraits of the Catalogue; and a General Index.
Acknowledgments, Table of Contents, a List of Figures, one of Plates, and one of Abbreviations complete the apparatus criticus. In order to establish the proper historical context of such renderings, H. He then extensively uses ancient sources to demonstrate that Romans viewed exposed bodies as improper and largely shameful, as for slaves and prisoners Ch. This complex material is made accessible by a roughly chronological approach, for both Greek and Roman times, that tries to determine the initial appearance of various clothing formulas and their eventual disappearance or momentary omission.
In addition, certain sections within chapters pull the various strands of the argument together: Ch. This type, especially in the Eastern Mediterranean areas, was then appropriated by Greeks to honor Romans, both literally, with pre-existing monuments conveniently relabelled, and with newly erected statuary; Magna Graecians may have used the formula for Roman portraits dedicated in their own cities or even in Rome.
