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The Feminine Musique is a series where writers analyze portrayals of women in music. Have you ever had a disturbingly vivid dream about murdering a man who wronged you and then lathering your face in his fresh blood? If so, I have just the song for you! A heavy bassline and delirious, angsty tone convey righteous revenge, sanguineous self-actualization, and cathartic cleansing of the soul.
The track divulges the inherent burden of the female experience — and a grisly escape from it. This aggrandized event is decidedly male in almost all modern receptions of it, but The Buttress turns this frightfully phallic story on its head. The story is retold from the perspective of a female Brutus, evoking a deep feminine rage against a male counterpart in a way that feels gutturally ancestral in its fervor. It endows the female Brutus with all that was denied of Roman women in the ancient period — the ability to be violent, power-hungry, and most of all, wrathful.
Ancient Roman women were deprived of any agency, sexually and politically. This lack of agency removes a sense of self and value. Her gender transforms her into something mythologized and abstracted to the point of dehumanization. Rather, she becomes non-autonomous and relegated to inferiority.
She is forced into a position of lesser greatness and ability, despite her carnal hunger for power, recognition, glory. This hunger begins to consume her, and the more she is denied her right to respect and grandeur, the more audacious and homicidal she becomes.
