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I wish it would hurry up and save me from this twisted world. Their internal musings and conversations are studded with references to some longed-for Armageddon — whether they be the terminally bored twentysomething hipsters of What a Wonderful World!
For best friends Kadode and Ouran, and the rest of the cast of Destruction , the sense this makes is immediate: three years ago, an alien invasion of Tokyo precipitated a series of attacks and counterattacks that resulted in thousands of casualties, an incredible level of property damage, and an entire city ward being bathed in A-Rays a barely disguised metaphor for the radiation left in the wake of the Fukushima-Daiichi disaster that rocked Japan in Too damaged by the fighting to leave but too resilient to be outright destroyed, the alien mothership now hangs ominously over the city, an omen of the inevitable end.
Similarly, preadolescent Amahiko Suzuki and his neighbors in the small rural community at the center of Nijigahara Holograph have witnessed a cycle of horrific abuse and trauma that the community has sublimated into local superstitions about a ghostly apparition lurking in a cave and demanding child sacrifices to forestall the end of the world. For those Asano characters who inhabit more mundane worlds, this preoccupation with universal oblivion can seem morbid, if not insane.
In their conversations, in their fantasies, in their internal monologues, they find themselves again and again hoping for anything that might shatter the stillness. Yet the contagion of inertia in Wonderful World! And yet everyday life remained, unbroken, unchanged, endless. It is no wonder that those lucky enough to find even a moment of peace despite these apocalyptic nightmares would resist the possibility of further change and insist on compartmentalizing those disasters that do still occur.
