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Studio in Ypsilanti, MI. They created custom typefaces such as Jam Space , brush style and Molly may , modular display face. Madrid and before that, Lebanon -based Arabic type designer who runs the Arab type news and blog site called Arabic Typography. KHTT link.
His Arabic type foundry is called 29letters. At ATypI in St. Petersburg, he ran a workshop on the Arabic Kufi script. Speaker at ATypI in Dublin on the topic of political resistance and expression through graffiti in Lebanon and Palestine. His contributions to type design: Massira. He has embarked on a project with Martin Majoor to design some Arabic fonts that fit Majoor's designs. Huda AbiFares contacted me while I was finalizing Massira and presented the opportunity to collaborate with the Dutch type designer Martin Majoor to design an Arabic typeface, which is part of the Typographic Matchmaking 01 project organized by Khatt Foundation.
At first I was a bit worried due to the fact that it would be my first professional type design work and that the due date was too close. However, after taking a closer look at Martins type FFSeria and analyzing its characteristics, I noticed that the treatment of the stroke and the structure of the letters shared similarities with Massira.
In both fonts the use of sharp broken curves and crispy feel is present. Consequently, I grew confident in project and decided to use Massira as a starting point for the new Arabic companion of FFSeria. Echo, which is Sada in Arabic, is the repetition of a sound caused by the reflection of sound waves from a surface. Accordingly, Sada is the echo of FFSeria. It had to have the same point size, line space, color, contrast and feel as FFSeria. Concerning the details of Sada and the inclined angle of the vertical strokes, it was derived from the FFSeria Italic.
