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It had brilliant songs, emotion, a definable mood, innovation, warmth, sadness and a totally shit last track; what more could you want? The title track is just incredible. In her excellent autobiography, Bedsit Disco Queen , she writes about receiving a tape with the slowest music she had ever heard on it and wondering what on earth to do with it.
Masterful stuff. The heavy dub bassline works so well again with her lonely, optimistic vocal it is aural Prozac for me. I really like how Massive Attack broadened and changed their sound on Protection , more trip hop than hip hop, all those broad filmic themes allied to that trip hop groove was a potent mix.
All credit to producer Nellee Hooper. I have always been so impressed by how well Massive Attack used the vocalists they gathered into their world, allowing them to really flourish and express themselves, confident in the strength and unifying elements of the music. I am especially enamoured by the way the cover art embodies this — the cover of Blue Lines burnt away to show the rough, metallic wall of Protection.
I have owned this LP for 27 years and I never actually realised this until now, ah well. I used to wonder what Massive attack would do after Protection , probably play it safe and fade into obscurity I thought ….