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Distasteful and unartistic! But while the relationship between sex work, art work, and other forms of labour under capitalism is, of course, crucial to Decriminalised Futures , the artists in this show start from a different premise and perspective. Certainly, the exhibition is polemical, explicit and activist, and features whips and bejewelled dildos. And certainly it aims to rattle some cages it would be exceedingly strange for a show about decriminalisation and policing not to.
But where Prostitution revolved around extremity and violence, Decriminalised Futures centres care, justice and solidarity. Seeds, soft fruits, soft furnishings. A crutch, hairbrushes, an embroidered lipstick on an embroidered nightstand. Many of the artworks in Decriminalised Futures — all of which were selected after an open call to address global sex worker experiences — are deliberately tender, tactile, and domestic; nuanced reflections on space and intimacy.
The viewer is invited in, asked to look in the mirror, to roleplay. Who are you in that space? Your gaze, your body, your subjectivity is never neutral, the exhibition stresses. This constant refrain — this call to recognise your position, this call to action — is the lifeblood of the exhibition, and what keeps the softness and tenderness in the artworks from ever tipping into sentiment or cliche. This might be unsurprising, given the organisations behind Decriminalised Futures are the Sex Worker Advocacy and Resistance Movement SWARM and Arika, the political arts organisation that supports projects addressing social change, but it is still remarkably refreshing to have an art space so explicitly take a progressive political stance.
Instead of a one-note portrayal — of either glamorization or victimisation — here is multiplicity and a depth of thought and emotion. I should not have to prove myself to you! Come on. What kind of future do you want? What might be possible? What will you do next? A morally secure cacophony? Sounds good to me. ArtReview News artreview. His book Abstract Expressionism was published in Caitlin Quinlan Opinion artreview. A new swathe of films are rejecting realism and returning to a bolder, more liberated kind of filmmaking.
