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Bob Rob Medina grew up in Aurora, was exposed to punk rock as a preteen, and started playing in his own punk band by the mid-'80s. Medina took in the significance of the movement and noted that you didn't need to be from someplace special for your version of punk to be special. For a few years, he wrote a blog about his experiences, sharing illustrations he made from photographs and memory. Eventually the blog included interviews, and Medina had on his hands a bona fide oral history of Denver punk in the '80s, which he turned into Denvoid and the Cowtown Punks , a handsome and essential volume on the subject.
D'Angelo held his universally acclaimed Black Messiah hostage for some eleven years, crippled by his own perfectionism. He and his band the Vanguard took their show on the road, and for the first time in forever, the world's greatest purveyor of auditory foreplay came to Denver.
He and the Vanguard put on a capital-S Show, with every note in its place and every song played like it was the first time. D'Angelo served as conductor, guiding band and crowd alike through peaks, valleys and hairpin turns. Let's hope the wait for his next visit won't be measured in decades. While Denver continues to solidify itself as a music hub, it still lacks the infrastructure and opportunities of larger cities like New York and Los Angeles.
Because of this, we sometimes lose talented and serious musicians who hope to take their careers to the next level. Marshall Gallagher honed his style in the Denver scene for many years, playing in underground acts like Solar Bear and establishing himself as one of the best guitarists around. Recently, Gallagher made the move to Los Angeles and continues to flourish as a guitarist, songwriter, performer and vocalist there. Gallagher's progression after leaving the Mile High City is proof that sometimes, taking the boy out of Denver might be the best thing after all.
