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So, what are we missing out on? RBTH: Your novels are very diverse and have almost nothing linguistically in common with each other. Why and how do you invent such different forms of language? Alexei Ivanov: This is basically a conscious device that I apply when writing my novels. Each book has its own linguistic component because each has its own social group. My new novel, [a second part of the Siberian-set novel, Tobol ] , is quite multicultural, and it has a mix of languages.
For instance, the Chinese characters speak a bureaucratic language of the Chinese elite, and the people from Bukhara speak in a flowery way. Can you tell us more about this novel? I wanted to write a new type of novel in the format of a TV series, with a variety of textures. There are multiple plots: the first shows the governor trying to build an empire in Siberia; and in the second, architects are creating a new kremlin.
Also, missionaries are trying to impose Christianity on the natives, the local shaman raises spirits to attack the Russians, and an Asian merchant is illegally trading furs abroad.
The Chinese start a war with natives living in the steppes and the Old Believers are preparing mass self-immolation…. RBTH: You seem to write novels with elements from several genres: historical, adventure, fantasy.