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Things are markedly more clear in the production and sound quality department. Where Gold. All in all, it makes for what is my favorite album by the Atlanta trio by a fair margin. Songs are mid-four minutes tops, quick, efficient; they move with an urgency, yet still relish in the groove of making this particular kind of noisy, punky rock.
This is a very particular balance to nail and nearly every song does a great job of it. The title refers to malinchismo, the disowning of your own culture in favor of another, which itself refers to La Malinche , a woman of history known for betraying her people of the Aztec Empire to aid the Spanish Conquistadors as an interpreter in their violent, genocidal, colonial conquest of Central America. The instrumentation is blistering and the vocals from Christian Lembach are tough, probably his most intense on War.
The momentum of it all feels nice and approachable, and the lyrics are pretty relatable to the erasure of picturesque, stable adult life that was shotgun blasted in the neck by late-stage capitalism:. The album is remarkably effective and fun. Eight years since releasing anything substantiative and you have to wonder is the spark gone? Can past greatness be replicated or maybe even expanded on? The answers are no, yes, yeah actually, in that order in the case of Whores.
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