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Share your interactive ePaper on all platforms and on your website with our embed function. I am nowin my third year as chairman of IFPI and during this time I havebeen able to witness close up the amazing transformation of ourmusic industry. My career in music has spanned more than four decades. The first recordings of my work were available on vinyl LPs orcassettes that had to be listened to on a record or tape player.
Today, my music is available on a huge range of digital services. People can listen to an opera as they go about theireveryday lives. They can constantly discover new music onrecommendation services. They can engage with artists on socialnetworks. We no longer rely on physical delivery of the music welove to hear.
This is the message I try to convey when I travel the worldand talk to senior politicians. Copyright provides the basis of the modern digital musicmarketplace. Confidence in copyright enables rights holders tolicense exciting new services that music fans love. There are 37 million songs available today on these leadingdigital services. To listen to them all would take a lifetime. That isa source of cultural enrichment that we could not have dreamedof when I was a young artist beginning my career.
We mustbuild on this success to create a genuinely sustainable digitalmarketplace that will continue to fund investment in artists sothat more great music can be created. At the same time, technological change has forced us toask a fundamental question — what does this mean for copyrightand the rights of creators? The answer is clear: while the formats have changed, themusic remains. In a world of constant change, music is somethingof lasting value. I want to see a digital world that provides young artists withthe kind of opportunities I was fortunate enough to have early inmy career.