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To browse Academia. Niamh Ann Kelly. Maeve Connolly. Daniel Jewesbury , Declan Long. A discussion of the ways in which artists, curators and writers working in Ireland consider nationality to be relevant — or irrelevant — to contemporary practice. Published in The Irish Review, Issue 39 Emma O'Toole.
Kate Antosik-Parsons. Ronald Rose-Antoinette. You will be contacted as soon as possible. Joseph Murphy. This proposed essay for IMMA primarily examines the relationship between the work of Willie Doherty and Duncan Campbell, the evolution of medium and their response to trauma.
Memory is not fixed. It is fluid, fallible. The camera acts as a separate entity with its own story. The lens has been used for centuries as a way of manipulating ways of seeing. David Hockney hypostasised that Caravaggio used lenses in a camera obscura.
Warhol used the camera as a way of distancing himself from the subject. Doherty and Campbell chose the camera as their weapon to the conflict in the North. They are creating an imagined, or perhaps more correctly a constructed memory for a younger generation. Both artists have challenged the reliability of the photograph or frame as a total depiction of truth or documentation.