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To browse Academia. It is not known what happened to the collection other than that it was lost during or after the war. Laima Jomantas recalled her husband Vincas observing ruefully that, had it not been so, he could have retired on the proceeds of its sale. However, the early exposure to such work and the receptivity to abstract art likely to have been thereby cultivated were arguably of great significance to Jomantas.
Virginija Vitkiene. Contemporary Ukrainian and Baltic Art. Political and Social Perspectives, The practice and the necessity of collecting is inherent in the writing of art history: accumulation of more artifacts in one place, whether a museum or private collection, allows for more stable narratives that are the basis for all kinds of history. For an art historian, it is a very challenging task to write a history of art that is gone, destroyed, or undocumented; the latter counts especially for the several last decades of the 20th century with its numerous ephemeral art forms and technologies that were not always reliable.
And although digital technologies, the internet, and social media nearly turned this problem upside down into a nightmare of redundancy, the problem of accessibility remains due to ever-changing hard- and software. Art History of Latvia. Merle Talvik. Years of the first independence in Estonia and Latvia involved the second wave of nationalism in art and culture.
National theme became a source which had to be treated fashionably. The fashionable European style was art deco that spread in the Baltics, Finland and elsewhere in periphery of Europe from the second half of the s until The author has examined and analysed a wide variety of Estonian illustrated magazines and journals. The examples of Latvian magazines come from the collections of the Information. Dariusz Kacprzak.
