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Good evening and welcome to the second reading in our poets-of-colour series. Matwaala was created to promote the visibility of South Asian diaspora poets. In a spirit of solidarity emanating from the political and social events of last year we crafted our festival as a poets-of-color series of readings.
We flagged off with five African American poets. M Bowra, in his introduction to the same anthology, celebrates the high mission of poetry as a civilising force, a conveyor of a national character, and perceives material and mechanical civilisation as a negative impact on poetry.
We will bear witness this evening to the brilliant work of these poets who like all of us are shaped by modern civilization that Bowra so bemoans, yet their work will reveal Mexican poetry as a force of reckoning that has the power to shape itself by any time and age, emerging vitalized and alive, bearing the stamp of the forces around it.
Usha Akella and Pramila Venkateswaran would like to extend their sincerest thanks to these poets for their work, time and vision. The history of Mexican poetry is the history of its antagonisms around the lighthouse of a tradition. Aesthetic or ideological interruptions? Maybe both. Even if Mexican poetry generally denotes an attachment to the tradition that has been shaped through time and the need to construct and assimilate a poetic canon, the truth is that each generation has tried to write its own history, managing their referents and setting their horizons through their respective resources: magazines, anthologies, collective projects.
