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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. As if. Nowhere is that phenomenon more obvious or explicable than it is at the movies. Young and exciting directors, many of whom are now major auteurs and perennial IndieWire favorites, were given the resources to make multiple films — some of them on massive scales.
Meanwhile, the industry establishment responded to the sudden influx of new talent by entrusting its biggest tentpoles to the idiosyncratic likes of Steven Spielberg, Kathryn Bigelow, Paul Verhoeven, John Woo, the Wachowskis, and Brian De Palma, resulting in franchises that felt more invented than recycled, even when they were exactly that.
More than anything, what defined the decade was not just the invariable emergence of unique individual filmmakers, but also the arrival of artists who opened new doors to the endless possibilities of cinematic storytelling. Many of these greats are still working today, and the movies are all the better for that. The result is our humble attempt at curating the best of a decade that was bursting with new ideas, fresh energy, and too many damn fine films than any top list could hope to contain.
More than that, it serves as a metaphor for the world of independent cinema itself a domain in which Jarmusch had already become an elder statesman , and a reaffirmation of its faith in the idiosyncratic and uncompromising artists who lend it their lives. A good portion of it is just about Australia. There is beauty in its meandering quality, its focus not on the sort of end-of-the-world plotting that would have Gerard Butler foaming at the mouth, but on the comfort of friends, lovers, family, acquaintances, and strangers just hanging out.
