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To browse Academia. This thesis is an intensive, multi-layered analysis of an unpublished, English language, handwritten, midth century manuscript. Different methodologies were applied to the document: transcription using Leiden conventions, handwriting analysis to identify the author, archival research to uncover photographs of the manuscript in use, historical and bibliographical research to situate the manuscript and its author, and finally, an in-depth and exhaustive source analysis to uncover literary and documentary influences on the text.
Subsequently, the manuscript was identified as handwritten by Gerald Gardner, from to , and contains almost no original material other than a handful of pages for a speech or oral presentation. The rest of the document is comprised of This paper will examine the schism through the lens of ritual studies, exploring liminality, group unity and egregore, identity formation, and ideology; and suggest possible solutions to the conflict.
Rather, it is time for a new chapter in the history of the Gardnerian tradition, a new understanding of polarity, and a new identity for the Witch. History and heritage are often asserted as indicators of continuity. However, meaningful pasts are mobilized according to the needs of thepresent, and continually reinvented and transformed. Contemporary British Witches are currentlyexperiencing a radical shift in the ways they conceptualize, evidence, andrationalize their history.
Until recently, practitioners claimed that con-temporary practices could be traced back to pre-Christian times: formalgroups of Witches covens had a continuous and unbroken religious tra-dition going back to antiquity. This position has recently been subjectedto extensive critique which suggests a prevailing scepticism to the idea ofcontinuity and an alignment with recent interpretations from scholarlyhistorians.
